Icons of fashion illustration

Last night’s preview of the Fashion Illustration Gallery’s new exhibition in association with the Victoria and Albert Museum certainly had the curiosity factor. White gloved gallery assistants added an air of mystery and allure, as they presided over boxes of drawings chosen by Abraham Thomas, Curator of Designs at the V and A.












The works on display (by appointment until 26th March) are from a mix of established artists and emerging contemporary talent. Fashion illustrators featured include Richard Gray, David Downton, Gladys Perint Palmer and Barbara Hulanicki. The styles vary enormously from Daisy de Villeneuve’s childlike sketches to Jason Brooks’ clean commercial lines.




















I particularly like the retro, painterly style employed by David Downton, Tanya Ling and Julie Verhoeven.





















And Hiroshi Tanabe uses silver and gold on his drawings to stunning effect.

Last night, there was something of the magician’s sleight of hand about the presentation of Marko Matysik’s fashion scrapbook (below).













The works selected for the show will become part of the V and A’s permanent collection and will also be featured in a forthcoming book called Illustrating Fashion. Talking of which, we’ve some fascinating out of print books on fashion illustration arriving at ShopCurious shortly - so do keep an eye on the website for exciting new additions…

Will you?

Biba's everlasting appeal

Little did the architects of the Big Biba store in London’s Kensington High Street know they were helping to create a legend. During its brief existence from 1973-75, the opulent emporium was hailed as ‘the most beautiful store in the world’.










Even Mr Al Fayed would have been impressed with the shop’s extravagant Art Deco interior, which was reminiscent of the glamorous, golden age of Hollywood.



Big Biba wasn’t just about style – it was the first lifestyle store. Here a young girl could “buy not only a new wardrobe, fully co-ordinated from head to toe, but also a complete range of cosmetics and soft furnishings, together with the washing powder to care for her clothes, and food to go with it, all presented in the distinctive Biba packaging.”

Alternatively, she could lounge around in the shop-windows (as Biba didn't have window-displays), or sip cocktails upstairs amongst the flamingos that lived in the Roof Garden, or in the Rainbow Room, where live music was performed.








'Biba style' was characterised by flowing lines, floppy hats and… pickled onions! For all it’s curiously cool, stylish charm – Biba was peculiarly quirky and eccentric: Even the food hall displays were in the shape of baked bean tins and Campbells soup cans. But it was the Biba logo that was immediately recognizable on the vast majority of the products.


Biba also produced a mail order catalogue, with girls wearing the complete Biba look – from clothing to makeup and accessories. The Biba look consisted of what Hulanicki called "Auntie colours" - which she said ‘look like a funeral.’ The predominant shades were blackish mulberries, blueberries, rusts and plums.



























































































































If you’d like to see more of images of the store and Biba’s designs, how about this fabulous, collectable coffee table book from ShopCurious. ‘Welcome to Big Biba’ features over 150 colour photographs from the seven storey department and is signed by designer, Barbara Hulanicki herself, as well as the book’s creators.











In addition to selling stylish fashion, Big Biba was a social network and curiosity shop all rolled into one. I have a feeling the legend will live on and on... I'm curious to experience Biba’s next incarnation – and see the website.

Are you?