QR codes remind me of the classical inspired look of former RCA graduate (now honorary fellow and visiting professor), Sue Timney, whose work was recently on show at London’s Fashion and Textiles Museum.
Back in the early 1980s, finding someone to buy your designs meant trekking half way around the world – in her case to Japan, where her printed silk scarves, shirts, ties, ceramics and stationery were snapped up by luxury retailers, enabling her and ex-partner, Grahame Fowler, to expand their Timney-Fowler business in the UK. Since 2001, Timney has concentrated mainly on private and commercial interiors projects, and is known for her distinctive monochrome styling. She’s also designed restaurants and styled Joseph’s interior shop, ‘Pour la Maison.’
The exhibition featured a lot of her 1990s work, which was developed for fashion and interiors, using images recurring throughout the cut out work of Timney Fowler – statues, architectural details, cutlery, furniture, clocks, musical instruments, animals, heraldic symbols, kitchen implements and decorative frames.
Clocks and clock faces have been something of a trademark of her style between 1985 and 2010. Many of the clock images are based on an original art deco railway clock, which was also on show at the exhibiton. Astronomy is another theme she’s interpreted in her uniquely bold manner.
Emma Shipley’s printed textiles, currently on display at the RCA show, are equally stunning. Her drawings are inspired by botanical illustrations. Some are drawn by hand using graphite pencil on hot pressed paper to assure a ‘quiet asymmetry’, and other designs are developed using a computer, programmed to incorporate a random element into the process.
As it happens, founder of the Fashion and Textiles Museum, fashion designer Zandra Rhodes, is also an RCA graduate. And, if you’re looking to invest in a piece of vintage textile design, we’ve a curiously collectable 1970s Zandra Rhodes painted lady silk scarf at ShopCurious.
Curiculum Vitae Jeffry Zebua
6 months ago