Capital of vintage soul

I’ve been immersed in music lately. Soul music in particular. Funnily enough, I found a photograph of the Soul Immersions dive boat that was used by the press at Antigua Race Week when I was writing my latest post for The Dabbler - the name seems curiously appropriate...

Anyway, I was totally won over by the Soul Revue at Vintage 2011 last weekend.






Ex-Rose Royce diva Gwen Dickey’s rendition of Love Don’t Live Hear Anymore was outstanding. And Percy Sledge’s performance of Lighter Shade of Pale was sublime – though a curious fact is that even he doesn’t know what the song's title actually means.










Then there was the Average White Band’s brilliant Hamish Stuart, who’s composed so many amazing tracks, mostly for other (more famous) artists… And the Flirtations’ shimmering rainbow dresses certainly added to the flavour of the ‘70s vintage soul vibe.
























I’ve also discovered a fantastic new radio station recently. The Soul of London plays, as the name suggests, soul – along with R&B, funk, gospel and even a little bit of reggae. They seem to get the balance of old school and new stuff just about right – and they’ve got a great website too, with a useful selection of videos.

Talking of which, here’s a ShopCurious recording from the Vintage soul revue of Gwen Dickey singing Wishing on a Star.

Are you?

Hotbed of vintage colour

As the temperature in London rose dramatically over the weekend, Wayne Heminway’s Vintage 2011 at the Southbank Centre provided added rays of sunshine. I don’t think I’ve seen so many smiling faces at the Royal Festival Hall since Robert Mayer’s concerts for children many years ago.

On Saturday, there was a lovely juxtaposition of quirky retro style mixed with ‘60s Pop Art, ‘70s psychedelica and ‘80s disco. The result was a cacophony of colour - and trends indicate that this sort of effect is likely to be a big influence for the coming season.



























From juke boxes to glitter balls, the vintage vibe was curiously colourful across the board. Even the 1940s styled Clore Ballroom (above left) looked ultra-fashionable. In some ways it was a natural extension of the exciting new wave of design unleashed at the time of the original Festival of Britain. But it was also a contemporary continuation of the unique mix of cultures and talents for which our British Isles are so famous.

I was intrigued by the way men and women dressed for the occasion. The 1950s male ideal of 'health and strength' (see below) didn’t appear to be in evidence, but there were certainly some uber-cool disco dudes on the scene...
























Along with plenty of authentic retro fashion...




















And I loved the old fashioned interiors, some of which were created using items from the Hemingways’ private collection.




















Mr Hemingway was on fine form as he introduced the Soul Revue (more on this in a forthcoming post). Though perhaps he could have done with a little retro styling?




















Skylon's bar created vintage inspired cocktails to celebrate the festival... I'll leave you with the wonderful view from Skylon at sunset.
















By the way, gentlemen wishing to get the ‘hot vintage’ look might like the fabulously funky retro silk tie by Pierre Cardin at ShopCurious (shown above).

Do you?

PS See more vintage men’s fashion in my latest RetroProgressive post on swimwear at The Dabbler.