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I’m saving the middle part of my Christmas story till later, but early in the New Year I spent a couple of days visiting friends in rural Derbyshire. I wanted to share this with you first, because if you happen to find yourself in that part of England, I’ve discovered a rather lovely place to stay:
I can thoroughly recommend Park View Farm near Ashbourne. An eclectic mix of granny’s attic style meets faded chintzy boudoir chic, this has to be amongst the most charming Bed and Breakfast accommodation in the country.
There’s a creaking wooden staircase, four poster beds, free standing roll-top cast iron baths and the main house is adorned with characterful vintage prints, chiming clocks and quirky curiosities.
The traditional pink chintz curtains made me feel completely at home – I have a feeling they’re made from the same Laura Ashley fabric I had in my flat in the late 1980s.
There are wonderfully dated festoon blinds, which are perfect for collecting Jack spiders, so they don’t nibble you in the night. A painting of a curiously cute rabbit hangs above the loo - and, amidst the memorabilia, there are even some old fashioned costume prints to keep us fashion hounds amused.
If you’re in a big party, there’s plenty of accommodation in additional guest cottages with pretty names like Honeysuckle Cottage, curiously appropriate since honeysuckle pink is Pantone’s colour of the year. 
There’s also a large breakfast table, where you can congregate for a home-cooked breakfast that (to borrow a word from Jamie Oliver) is utterly delish… What’s more, the table is beautifully set with Willow Pattern crockery, plus there are crystal serving bowls and twirly-stemmed antique candlesticks.
In terms of practical comfort and simple but stylish home decoration, you can’t go wrong with a country farmhouse style kitchen, especially if you actually live in a country farmhouse and can look out of the window onto an authentic field of grazing sheep.
The host and hostess are a lovely couple who are polite, friendly and amazingly available for a chat at the same time as running a farm and preparing a full English fry up (with mouth-meltingly buttery mushrooms, freshly laid eggs and unusually tasty wholemeal toast). Radio 3 burbles along in the background, though apparently the cows in the milking parlour prefer Classic FM.
Anyway, if you’d like to ‘get the look’ we’ve some uniquely arty Willow Pattern placemats at ShopCurious, along with this fabulous antique porcelain cherub mirror. Perfect if you’re suddenly feeling all romantic.
Are you?
'Retro style and design' is currently the name of the game. I certainly enjoyed travelling back to yesteryear for a blast from the past with a modern day twist, when I read a this ‘fab’ new book.
Dominic Lutyens and Kirsty Hislop have really captured the Zeitgeist of the seventies in their glossy tome – 70s Style and Design. Focusing on the key trends of the era, their book is a visual demonstration of just how vitally important the period was for the creative arts.
From pop art, post modernism (so that’s what inspired those chairs?) and derivative timeless style (think la Belle Epoque, The Jazz Age and the Surrealist movement) - to the origins of eco-friendly cool: this beautifully illustrated coffee table style bible of the 70s has them all.
With curiously appropriate 1970s style pull out pages, the colourful volume is a roll call of pivotal designers – and not just of fashion, but a lifestyle. Yves St Laurent, Vivienne Westwood, Zandra Rhodes, Bill Gibb, Biba, Laura Ashley and Fiorucci to name but a few – many of whom, as individuals or labels, are now making a comeback.
By the way, if you’re a lover of ‘70s style and design, check out the vintage shoes new in at ShopCurious, including the design shown left, from Biba (soon to be reborn at House of Fraser), and a highly collectable pair of de Havz by stalwart style leader of the ’70 and ‘80s scene, Terry de Havilland.
Anyway, as I was saying, if you'd like to see‘70s illustrations, magazine photos and some of the most amazing art, architecture and design of the day, this book is a must.
Of course, for all 40-60 somethings who lived through the decade, it’s essential reading and will bring back fond memories of peace symbols and liberation – both for women and men - plus platform shoes, floaty dresses, punk style piercings and uncontrollably contagious disco fever.
The ‘70s was a decade of many incarnations all rolled into one, and was hugely influential in terms of interiors and design. I think a similarly eclectic mix of styles is something we’ve also experienced over the past decade…
Do you?
Entrepreneurs, senior executives and trade bodies representing the luxury goods industry will meet in Barcelona tomorrow for the 12th Annual Prestige Brands Meeting.
Europe has always been considered the main producer and market for premium products, with European brands accounting for around 75% (approx. $229 billion) of the global luxury market, according to figures from the Boston Consulting Group.
However, the Financial Times reports serious concern regarding the erosion of specialist skills such as dressmaking, watchmaking and perfume creation in the European luxury goods sector, combined with a shift in production to emerging markets in Asia and eastern Europe.
Guy Salter, deputy chairman of Walpole, the British Luxury alliance claims that “All young people want to be designers and very few, makers." He says, "We want to try and change that by promoting craftsmanship in the luxury sector" adding, by way of example, "only a handful of small manufacturers in the UK are now making bags and leather accessories, compared to over a hundred factories only fifty years ago."
Some brave souls are already taking their own action to help preserve traditional skills and crafts for posterity, amidst a rapidly changing global marketplace. StyleCurious featured Mark H, a personal victim of UK manufacturing's demise, has made it his mission to turn adversity to advantage in a bid to save British craftsmanship from extinction.
Mark says, “There are still people alive, but only just, who remember England as the Workshop of the World, making everything from corsets to a silver condiment train for the Maharaja of Jaipur.” He adds, “We were busy making things: inventing, tweaking, fumbling, making fools of ourselves – the world’s eccentrics – in garages and small workshops all over this green and pleasant land. To achieve a Royal Warrant to supply members of the British royal family was a licence to export products to every part of the globe.”
In order to help prevent the UK’s industrial heritage from being totally “squandered”, Mark decided to establish his own curiously eccentric new luxury brand called OR WOT! to capitalize on ‘the finest components, skills and crafts that England can muster.”
The story behind OR WOT's ‘Castaway Couture’ collection is highly symbolic. Mark imagined the only survivor from a luxury British cruise ship, marooned on a desert island. Key pieces in the collection are inspired by the survivor's luggage, together with flotsam and jetsam from the shipwreck and the animal and reptile life on the island.
An eclectic range of handcrafted luxuries for him and her, plus a selection of beautifully handmade curious gifts and things for the home by OR WOT! is now available exclusively at ShopCurious.
Each product is made in England, has its own tale to tell and is intended to be a family heirloom that will last for generations to come. What’s more, the skill and craft involved in the making of every single item will be passed on to future generations too.
Curiously crazy, curiously clever, OR WOT?
I'm curious to know what you think.
Do you?
Sir Hardy Amies, who passed away in 2003 at the age of 93, is said to be the longest living fashion designer, even outliving Coco Chanel, who died aged 88. Amies’ style is synonymous with timeless elegance, and is immortalized in the classically decorated, chandelier and mirror filled interior of his Savile Row premises – now a museum and archive in tribute to his memory. I was recently fortunate to catch the end of an exhibition held at the magnificent house, celebrating 100 years of Hardy Amies.
As well as vintage designs by Amies, the show featured personal memorabilia, including photographs of family and clients, sketches, fabric swatches, mementos of events and original ephemera from his years living and working in the rarified world of haute couture.
Best known for being designer to Her Majesty, Queen Elizabeth II, Sir Hardy was patronized by an international clientele that included royalty, film stars and the aristocracy.
Located in a street world renowned for men’s tailoring, his business served both men and women, and was very much the English equivalent of a traditional French couture house.
However, Amies was also involved with the production of rather less glamorous ‘utility clothing’ during World War II, eventually becoming Chairman of the Incorporated Society of London Fashion Designers. He was commissioned to create quite a number of uniforms as well, including this one for the airline BOAC.
Incidentally, the books you can see behind this mannequin are a complete set of original copies of Vogue Magazine, dating back to 1945. Apparently, the only other collection of this type is to be found at Vogue’s offices, but that is kept under lock and key.
My visit to the exhibition was by way of a reception, hosted by Fashion Group International (FGI), which has recently re-launched in the UK and is currently recruiting new members. Here are some photos from the event – including one of photographer, Mario Rebelo, alongside the Evening Standard’s outrageously dapper Maurice Mullen.
And here am I wearing a suitably eclectic mix of lovely tights by Bebaroque, plus vintage beaded bag, asymmetric quilted dress by Emma Cook and necklace from Biba (along with my cheap-but-chic chain store shoes). The fabulous hair accessory is made using recycled vintage jewellery, from a collection that will be available at ShopCurious later this month.
For more information about future events, plus some charming personal insights into the house of Amies, watch this short video of the speech given by FGI’s Janine Roxborough Bunce:
Where do you store your memories? Do you have a box of old photographs in your attic, or is your life uploaded for all to see on Facebook? Have you ever written a diary? Do you have a secret place where you stash away the most treasured keepsakes from your past? If not, each of these beautiful ceramic sculptures by Fabienne Auzolle, available at ShopCurious, has a hidden compartment for mementos and cherished pieces of personal history.
You've probably heard enough of my memories, but before I introduce a new theme, I’d just like to take a brief look at a huge topic with so many avenues and permutations I can feel the wires in my brain starting to fizz.
Everyone is different and we each have our own contribution to make to life on planet earth. We all like to have our individual say and to consider ourselves unique in terms of our style, clothing, personal taste and preferences. However, there are so many of us that we usually fall into certain categories in terms of our likes and dislikes. Some of us prefer rock music, others jazz, or classical; Some of us are vegetarian, whilst others are rampant carnivores, or suckers for seafood; Some of us choose to shop at chain stores, others buy only original vintage accessories, or nothing but the latest designer handbags … and so on.
The one thing that’s different about each of us, is the eclectic mix of tastes and experiences that goes towards creating our own unique set of memories. Whether you jot things down in a notebook, write your memoirs, or squirrel souvenirs away in a special hiding place, the person your memories have most significance to is you. That being said, these days there’s a trend towards sharing everything – memories included. The proof of this is in the sheer volume of celebrity autobiographies, photo-caching, video broadcasting and the like.
Could this be part of a major revolution, not just in the way we choose to express ourselves, but also in the way we wish to be remembered by future generations? Modern innovations such as ‘digital time capsules’, like Diary of Mankind, the one I set up a few years ago, are seen to be ways of preserving our thoughts, wishes and memories for posterity. But will evidence of our mass online collaboration, our creative efforts and our achievements outlast us, let alone immortalize us for centuries to come? And, if so, what about the mistakes we made, will they be there for all to see as well?
Our current fascination with family history, ancestry, antiques, old photos, curiosities and all things retro reflects our appreciation of the memories, style, taste and contributions of previous generations. As for our own legacy, well, what do you wish to be remembered for …
the children you gave life to, or brought up, the work you did for charity, the money you left behind, the cars you owned, your final blog post, the book you wrote, your favourite celebrities, your sporting achievements, the pupils you educated, the parties you went to, the best film you ever made, the people you helped, the bands you liked, your fashion sense, the extraordinary things you invented, the meals you prepared, your size 8 figure, your creativity, your charm, your uniquely eccentric approach to life, your inimitable style, the huge stone angel at your graveside?
What sort of statement will you make with your life?
Please do send your thoughts and comments.
Will you?
