Bottom drawer prize draw giveaway

Grace à ...

Okay, the times they are a changing - and today things ain't looking so good in the UK. I suggest you take a moment out to comment on this post - you may even win a copy of the 112 page hardback book, Grace Kelly Style.**

If you're going to be swayed by the media, why not escape into a fantasy world of free stuff that's fabulous, frivolous and fun? For the moment at least.

Grace Kelly was a fashion icon long before her marriage to Prince Rainier of Monaco, so it’s hardly surprising there was such a lot of interest in her wedding trousseau and bridal wear. By the way, the word ‘trousseau’ derives from an old French word for ‘bundle’, though it’s a term familiar to many cultures. Throughout the ages, the trousseau has traditionally comprised of the articles assembled in preparation for a wedding, honeymoon and the initial months as a newlywed – things like clothing, accessories, jewellery, beautifying lotions, potions, bed-linen and so on.

Previously stored in chests of drawers, sometimes known as ‘hope chests’, the Victorians even created an event called the ‘trousseau tea’, where they showed off the crate loads of china, linens and silks that had been collected for the wedding party. (No such preparation for any potential union of UK political parties, of course).



By 1956, when Kelly became Princess Grace of Monaco, trousseaux were generally much less extravagant. However, Grace Kelly’s wedding trousseau was certainly fit for a Princess, consisting of around forty day and evening outfits, including two Helen Rose-designed wedding gowns, and a dozen High Society film costumes, donated by MGM.




One doesn't often hear the ‘t’ word mentioned these days, (unless it stands for thong, perhaps), as pre-wedding shopping is more likely to mean sexy lingerie, stockings, suspenders and frilly garters. Nowadays, you can purchase these sorts of items online too: If you’re in search of unusual pieces for a wedding trousseau, ShopCurious has some curiously original accessories, though we prefer the more natural, old fashioned variety of wedding attire - and gifts with provenance, as well as purpose.




…And what about men? Isn’t the whole concept of the trousseau a tad sexist? I’d love to hear your thoughts, ideas for unique pre-wedding gifts and examples of things you’ve purchased, or stashed away in anticipation of your impending nuptials. I reckon there must be some huge bottom drawers out there, full of curious bits and bobs that have been hoarded up, but never used.

Do you?




** Win a copy of the book, pictured right.

Comment on this post within the next week or so, (with a link to your blog or profile so we can contact you if you win), to be entered into a prize draw for a copy of the book, Grace Kelly Style:

Published by the Victoria and Albert Museum, London, to accompany the Grace Kelly Style Icon exhibition, this book, written by H Kristina Haughland, with an introduction by the curator, Jenny Lister is full of fabulous photographs of Grace Kelly as ‘The Actress’, ‘The Bride’ and ‘The Princess’.

(Closing date for entries Tuesday 18th May)

Grace Kelly style: timeless with a quirky twist

Last May, we featured retro fashion and accessories from the 1950s and ‘60s. I was so surprised when I visited the Grace Kelly: Style Icon exhibition at London’s Victoria and Albert Museum to discover that some of the pieces on offer at ShopCurious are uncannily similar to those worn by the late filmstar and Princess of Monaco.

Take a look for yourself:











One of the exhibits on show is Grace’s classic black dress, designed by Edith Head for Rear Window (see above). Our original 1950s lace version, left, looks almost identical.






She carried her pet poodle Oliver everywhere, so it’s hardly surprising that one of Grace’s signature pieces of jewellery was a poodle brooch, The fine gold one on display in the V and A’s exhibition (left) is every bit as quirky as our charmingly curious vintage costume pooch.










In this photo, Grace wears creamy white framed sunglasses, just like ours.











And our vintage lilac net skirt looks remarkably similar to this dress, designed by Helen Rose for Grace Kelly in the film High Society. The princess loved pastel shades – and now they’re back in fashion once again.

We’ve even got some opera gloves in the style of those worn by Princess Grace - plus a selection of snakeskin handbags, exotic kaftans and printed silk scarves – all items favoured by one of the most stylish and glamorous Hollywood stars ever.

Grace Kelly simply oozed timeless elegance, but her personality and sense of fun were expressed through unique accessories and touches of individual embellishment. I call that style with brains.

Do you?

PS Look out for our Grace Kelly giveaway - coming soon.

Preserving fashion forever

On the eve of the Grace Kelly exhibition at the Victoria and Albert Museum in London, I thought it might be nice to take a look behind the scenes. It’s amazing that so many of the style icon’s clothes and accessories are still in such fabulous condition. A few, including the 1955 Oleg Cassini designed dress shown on the exhibition poster and book cover (see right), are no longer in existence. However, Jenny Lister, the exhibition’s curator, was given a choice from around 300 stunning dresses, largely because Princess Grace’s clothes were so well cared for and looked after at the Palace of Monaco.








In the interests of gleaning some hot tips on how to keep the ShopCurious stock in pristine condition, I was especially curious to know where and how the V and A’s highly prized antique costumes and vintage clothing are preserved for posterity. Rather like a big hotel, department store or hospital, a large part of any museum will never be seen by the general public. If you ever get the opportunity, it’s fascinating to explore the enormous back rooms, where so many of a museum's treasures are housed and maintained.



Getting into the costume stores at the V and A is rather like entering Fort Knox. Apart from the security procedures, there are also strict rules about how one should dress and what can be taken inside the temperature controlled rooms. Opportunities to handle the garments are restricted to key personnel, who must wear latex gloves at all times.






In the past, fashion has been kept at the museum mainly as a record of dress style through the ages. Historically, collecting art and antiques has been a predominantly male pastime - anything to do with vintage clothing was considered somewhat lightweight in comparison. In the 1950s and ‘60s, movie costumes weren’t thought to be that valuable and were often recycled, or purchased by stars, such as Grace Kelly, after filming was over. It’s only in recent decades that items of vintage clothing have become valuable collectors’ items in their own right – and film studios are scrambling to buy back the costumes they created decades ago.






For fashion pieces to be collectable, it’s essential they’re in the best possible, ideally mint, condition. The problem is that most fabrics are perishable and affected by wear and tear over the years – as well as being prone to attack by moths and beetles. For these reasons, all of the V and A fashion department’s items are kept in purpose built fridges, each numbered and marked up with details of their precious contents.


However, some garments, like this 1960s Mondrian inspired PVC dress by Stephen Willats, are probably less appealing to pests than others.

All potential exhibits are catalogued, (some more scientifically than others), for quick and easy retrieval, when necessary. Here you will find everything from Vionnet to Vivienne Westwood:

There are rare Fortuny dresses, beautifully made and embellished clothing and accessories from the likes of Schiaparelli, Dior and Balenciaga, curious retro creations by designers such as Mary Quant and Mr Fish - and extravagant celebrity gowns, like the Elizabethan sleeved, Liberty print Bill Gibb dress worn by Sandie Shaw (see below).


































Upon death, most people’s old clothes are taken to charity shops, sold at auction or distributed amongst family members to be worn, or kept as heirlooms for future generations.





It’s great if clothing can be recycled and given new life in this way, but if you want your cherished vintage collection to be well looked after when you die, you might consider leaving it to the Victoria and Albert Museum.










I can’t guarantee you’ll be immortalized like Grace Kelly, but at least you’ll know your clothes will far outlive you.

Will you?