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Showing posts with label glamour. Show all posts
Showing posts with label glamour. Show all posts

Saturday, 19 May 2012

The timeless art of dressing up



For all fashion lovers, I would recommend a visit to the V&A’s newly re-opened fashion galleries and the latest exhibition there – Ballgowns: British glamour since 1950.

The ballgown is the ultimate expression of a designer’s talent – and usually the most glamorous garment in any woman’s wardrobe. And the sense of grandeur of this show reflects the opulent interiors in which the mainly haute couture garments would have originally been worn.



The ground floor level of the exhibition features older designs ranging from classic Hartnell and Hardy Amies to Catherine Walker’s beaded ensemble for the Princess of Wales (which brought a tear to my eye) - and a divinely different debutante number by Vivienne Westwood.

Upstairs, the mezzanine is devoted to 28 pieces by contemporary designers including this Car Wash Dress by Giles Deacon, inspired by the car wash near his studio in London’s East End.

Some of the designers represented are honorary Brits, by dint of being based in the UK – like Atsuko Kudo, whose fetishistic latex dress looks deceptively as though it’s made of lace. There are also the ubiquitous ‘celebrity’ red carpet dresses, and a designers’ replica of the Swarovski crystal covered Ralph and Russo dress worn by Beyonce when she performed for the President at The White House.



In keeping with our royal theme, I found this fabulous photograph of the late Princess Margaret, dressed in a flamingo pink ballgown.

If you’re curious to see more of her stunning outfits, we’ve a selection of royal ephemera at ShopCurious, including some curiously collectable vintage books and magazines featuring fabulous photographs of couture gowns.

I’m really looking forward to the Diamond Jubilee – and two days holiday.

Are you?

Friday, 9 December 2011

The world's most glamorous garden?




Berkeley Square always looks magical at Christmas (as in this prize winning photograph, courtesy of National Geographic). Considered to be the very heart of Mayfair, Berkeley Square is also the hub of London society. Formerly quintessentially English, now Quintessentially cosmopolitan, Mayfair has long been a playground for the rich and famous.



Back in the day when the gorgeously gnarled, elephantine trees were almost as fat as they are now, but just as valuable, Nick Drake wrote his haunting song (released posthumously in 2004):



Mayfair strange in the morning light,
Mayfair strange in the summer night,
Mayfair strangest in the afternoon.
Mayfair stretching far above,
full of fame but lacking love,
Could it be we see the Mayfair moon?

Mayfair strange across the park,
In the day or in the dark,
There's no need to walk or even run.
Mayfair faces clean and nice,
But beauty here is cold as ice,
Could it be we see the Mayfair sun?

Mayfair strange at every hour,
Hidden frowns with mystic power,
Starry heights and golden throne,
Down below you're on you're own.

Mayfair strange for passers-by,
Sights of wonder for the eye,
Could it be they'll pass by again?
Mayfair calling far and near,
For even trees are wealthy here,
Could it be we hear the Mayfair rain?




A curious fact is that Nick Drake performed in a band called the Perfumed Gardeners with his schoolmates in the mid-1960s - doubly fitting, since Berkeley Square is currently home to a unique garden ‘installation’ by Tony Heywood and Alison Condie.






Heywood’s latest work, Glamourland (on show until 20th January), is aptly located - in an enclave bursting with bejewelled, manicured and silicon enhanced souls – as well as Britain’s most expensive tree: a Victorian Plane (one of 31, all of which are at least 200 years old) opposite Berkeley Square House, which was valued at £750,000 in 2008.

But glamour doesn’t have to cost the earth. If you’re feeling in need of some added glitz, why not try out a trio of Colorsport lipstains from ShopCurious – also a great idea for a curiously cheap and chic Christmas gift.

Will you?

Thursday, 21 July 2011

Glitterati, glamour and mystique


I wandered around the National Portrait Gallery’s Glamour of the Gods exhibition behind two elderly ladies, curiously amused by their oohing and aahing. Like teenage girls unable to keep a secret, they simply had to know the name of ‘that gorgeous chap on a motorbike’. I told them he was Steve McQueen, but was a little befuddled, as his photograph didn’t appear to be on display… They were reduced to a state that can only be described as ‘gaga’ by photographs of the male filmstars and celebrities of yesteryear – Elvis Presley had them in raptures...

Sharing their excitement was rather fun, though the seventy or so stunning vintage prints from John Kobal’s archive are probably enough to get anyone going. Dating from around 1920 to the 1950s, the images are of movers and shakers in the creative and performing arts, along with key members of the Hollywood glitterati.





And they are beautiful. With a beautifully illustrated catalogue to match. Though we’ve also a finely illustrated photography book at ShopCurious: Filmstar Portraits of the Fifties (published in 1980), has no fewer than 163 glamorous photographs of the stars – introduced and edited by none other than John Kobal himself.










It’s strange, but today’s stars do absolutely nothing for me. Yesterday, Nespresso sent an email to ‘follow George Clooney in Costa Rica.’ I can think of nothing more dull – especially as I rarely ever drink coffee. Yet I could look at the glamorous photographs in this exhibition all day. Perhaps it’s about more than just glamour… I suspect being ‘godlike’ has quite a lot to do with the curiosity factor.

Do you?

Thursday, 7 May 2009

Retro seaside glamour


This month I'll be focusing on everything to do with the sea - and there'll be quite a large helping of retro seaside glamour. With so many Bank Holidays at this time of the year, it's fascinating to step back in time and take a peek at how differently these were spent after the war in the late '40s and 1950s, when formal dress codes and forms of entertainment were gradually changing.





Bank holidays were generally a time for dressing up in Sunday best wtih girls in fancy dresses, wearing gloves and bows in hair. Dress styles took their inspiration from Dior's New Look from Paris, but as well as classic cottons, new synthetic fashion fabrics, like nylon, were beginning to appear. Clothing became freer and more relaxed than the formality of previous decades with the introduction of the H and Y lines, in addition to the traditonal A line style.








Summer Bank Holidays were an excuse to travel by train or bus to popular seaside resorts for a stroll along the promenade. The beach was a place for Punch & Judy shows, donkey rides and ice cream - followed by a spot of entertainment on the pier, with fish and chips for lunch, tea, supper - or all three! A photograph of the family dressed in their Sunday best was obligatory. Fashions of the day were inspired by popular icons from the movies - Elizabeth Taylor, Doris Day, Marilyn Monroe and Debbie Reynolds.






At ShopCurious, we've teamed up with vintage specialist, The Cat's Meow, to offer an eclectic selection of very glamorous original 1950s posh frocks and sundresses. There are some fabulous marine inspired prints - including a wonderful seahorse halter dress (very Liz Taylor).








Most of the fabrics are totally natural, with the exception of the odd nylon extravaganza, like this virginal white '50s prom dress. Quite a few are dance inspired - another favourite evening pastime of holidaymakers the world over.







Anyway, I do hope you'll join me this month as I discover a treasure chest of summery seaside souvenirs and unique ocean-inspired curiosities.

Wednesday, 15 April 2009

Ageless Art Deco


The 1920s heralded a new age of glamour and saw the beginnings of our ever-growing obsession with youthfulness. The fashion for face lifts started at this time and, in 1927 (according to the Literary Digest), New York based dermatologist, Dr Charles F Pabst, advocated legislation to save American women from the effects of their “frantic and artificial efforts to make themselves beautiful”.

He argued that “The skin of a civilized man – and woman – is a delicate organ, as delicate as the heart, which works 24 hours a day, adjusting the temperature of the body, keeping infection from entering. It requires little external aid except daily washing in lukewarm water with a mild soap…”






He continued…“ The French Government recently adopted a law…in the French colonies, against mutilating the skin by the barbarous scarring of faces, stretching of lips and slashing the body. For such practices, in which the savages indulge in their mistaken pursuit of what they consider beauty, the French now impose jail sentences and fines…” Pabst felt that the US Government should follow this example and pass a similar law to affect women undergoing facial surgery, only making the punishment much harsher – to account for the fact that “the American woman has civilization and education on her side and yet she indulges in more savage methods of mutilating her skin.”


It would be really fascinating to hear the views of any of the pioneering ladies who underwent face lifting procedures during the 1920s or ‘30s, though I doubt that many, if indeed any, are still alive today. I suspect that nowadays, if you can afford plastic surgery, it might be considered much more daring and individual to refuse to succumb to the surgeon's knife.


Meanwhile, there’s plenty of surviving evidence of the labours of past female beautification in the form of unique and timeless treasures from the Art Deco era. At ShopCurious, we’ve some fabulously stylish 1930s hand held mirrors and dressing table sets, as well as a vintage Art Deco manicure set in its original ruched-silk lined, papier mache box.

From the 1920s onwards, the first beauty parlours also started to appear. Prior to the '20s, it wasn’t thought at all proper for ‘nice girls’ to use cosmetics. By the way, if you’re curious to know more about authentic 1920s and ‘30s style makeup, I’ll be revealing some unusual non-invasive beauty secrets of the time in my next blog.

Are you?

Thursday, 2 October 2008

Cabinet of curiosities




I was so glad I finally found time to visit Jethro Macey's Spyhole Wall at the Design Museum on Sunday. It was also a fabulously sunny day and seeing Tower Bridge, the Gherkin and the colourful boats on the river made me feel so happy be in London - of course, it could also have had something to do with the uplifiting effect of that all too rare sight, a beautiful clear blue sky...






Jethro's installation is in the foyer of the Design Museum. It's described as a showcase for 'private collections that have been gathered from various individuals'. The collections are based on personal intrigue (ie curiosity) and the eclectic mix of exhibits can be observed as single objects within a collection, or as a whole.





Some of the collections on show are objects that have little monetary value, but represent an aspect of daily life that might otherwise go unnoticed. The Spyhole Wall is also inspired by the curiosity cabinet of the Renaissance, in which treasured and intriguing objects are displayed for others to enjoy.

Some of the quirky collections shown here include miniatures of the Statue of Liberty, religious relics, old shopping lists and yoyos. Apparently there's even an unusual collection of wishbones - although someone must have been sitting in front of that spyhole as I couldn't find it.


In any case, collecting wishbones does sound a tad scarily near the place where curious art meets strangely disturbed personality disorder. Did I mention that through one of the peep holes you can spy my mother's collection of old lipsticks? Not sure why she hoards so many half used up cosmetics, but she kindly supplied a rather sticky-bottomed pale blue nylon make-up bag full of them.



They range from a couple of collectable late 1950s lipsticks and '60s Mary Quant to special offer freebies from designer brands. There are also a couple of original Colorsport lipstains - in her favourite colour, Sweet Apricot.



She was introduced to the brand by my late Auntie Gloria, who loved old fashioned movie stars like Doris Day. Gloria's favourite colour was Coral, which is the one that I now wear. By the way, the original 12 hour lipstains by Colorsport are also available at ShopCurious - and I can personally vouch for their staying power!

As far as I recall, my mother's worn lipstick every day. It's interesting that no matter how hard times get, lipstick is one of those little luxuries that few women who take pride in their appearance are prepared to give up. I hope this doesn't just apply to women of a certain age, because I think it's great when girls favour glamour over grunge.

Do you?